A Creative Compost {Preserve Your Story ~ Day 18}

More than half of the trees have lost their leaves. My green pepper plants have shriveled up and fallen over. The newest tomatoes have suffered frost bite. The veggies have grown through drought and flood in this hearty stew of compost and peat and vermiculite, but now it’s time to clear out the garden and put away the shovels and shears.

But even as the plants give way to the season, there is potential in the slow and still. The garden extras, the piles of crunchy leaves, the scraps from the kitchen, if I allow them the space, they’ll come together and create a whole new substance.

While your notebook is tucked in a drawer and you are resting from your work, something is happening in that stillness. When you pick up someone else’s book, when you sit face to face with the good people in your life, when you venture out of your writing world into fresh contexts, borrowed thoughts mingle with the ones already written.

Onto the heap of our drafted ideas, we throw new clippings and scraps. Sometimes inspiration will come from talking directly about your idea (though I wouldn’t do too much of that or you may lose some of your steam!), but most often it will come in surprising forms, the cast offs from listening to a stirring sermon or someone’s take on a current events issue or a family struggle.

All these apple peels, blades of grass, egg shells, used tea leaves, pine needles, these textures and flavors of all sorts come together and sit a while. Then ideas turn over one another and heat up like compost in the bin.

Maybe your essay or blog post or short story feels stuck. You shove it in the drawer and wonder if it should stay. But bring yourself into a new context and see what happens.

Maybe you’ll be like the man in the 1960s who left a failure of a project at work over the weekend. He turned out the light and locked the lab door on this new formula for glue, one so weak that the pages barely stuck together.

But in the choir loft on Sunday, amid the reverb of soprano, alto, tenor and bass, he looked down at the hymnal with his makeshift bookmarks, torn pieces of paper falling all around like confetti. He scrambled that morning to reopen the page for the choir number, but he’d never have to do that again.

Weak glue? Paper that barely sticks? A hymnal sprawled open letting plain paper fly? All these problems came together to give him the perfect idea for a hymnal marker, one that would stick but wouldn’t tear the page when removed.

In this moment of synergy, in this completely different context, a place of rejuvenation, the man’s subconscious did the work for him and the idea for the Post-It Note was born.

We refine our writing when we enter new contexts, engage in conversation, or soak in the words of a treasured author, even with our own story put away out of sight.

I had written a draft for my Gift from the Sea series detailing my night swim in the luminescent waters off of the islands of Thailand when I set my own writing aside to do some reading. As I came across the words of a fellow blogger through a link-up, I read some punch in the chest quotes from Surprised by Joy, a book I’d been wanting to read for quite awhile. I grinned when I came upon the shelf at the bookstore. The spine of Lewis’ memoir stretched tall, just four books down from Anne Morrow Lindbergh’s classic written in the same year, these two works sitting together in a picture of synergy. Joy sneaks up on us, they both said in their own way. And my story agreed.

On the small scale of a blog post, the ideas compost in a matter of hours or days. When it comes to larger stories in creative non-fiction and novel writing, we can expect a much longer process. I mulled over the theme of Dress of Many Colors for more than five years before I felt the story was ready for dedicated writing. And even now as I’ve taken a break from it, the ideas continue to react to my everyday experience.

Whatever the nature of our work, when we venture out of its bounds, we let ideas commingle, we stir them up and let them sit again. We put the happy process on repeat and soon the pile turns dark and earthy, each ingredient becoming part of the whole until we can’t tell one idea from another, all of them blending into one rich compost, the boost our story needs to flourish.

{Are you getting out enough? Are you listening enough in conversation? Are you reading enough? How have you experienced the synergy of ideas in a current or past project?}

This is Day 18 of my series 31 Days ~ Preserve Your Story, linking up with The Nester’s annual 31 Days of Change.

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31 Days ~ Preserve Your Story

Chances are today you’ve been scattering bits of your life’s setting and scene out for friends to read in the form of status updates and tweets. You are writing, and sharing, but soon after you do, the pieces slip to the bottom of the newsfeed, like scraps of dinner funneled into the disposal.

Behind those snippets and snapshots, though, there is a story worth preserving. And to capture it in full flavor and substance, you’ve got to write on.

This October, I’m inviting you to join me for my series Preserving Your Story, part of The Nester’s annual 31 Days link-up. In my 31 posts, we will cover:

  1. Reasons to preserve: everything from writing in an attitude of self-reflection that nourishes your everyday life to penning down unforgettables for future generations
  2. What to preserve: pulling out a story from scribbles, snippets and snapshots of your everyday mercies and the rarer moments of wide-eyed wonder
  3. How to prepare: methods you can use in taking notes on the story unfolding around you
  4. Proper preserving: good techniques, tools and containers for bringing your story from first draft to publishable blog post, magazine article or even printed book

Even while we’re talking about preserving YOUR story, it’s a joy to know that writing doesn’t have to be a solitary activity. We get creative sparks as we observe and interact with the people around us. We carve out some time alone to write our thoughts. Then, we find opportunity to share the beginnings of a work with an inner circle of friends, hearing their feedback and relishing their stories as they respond and share. Finally, when the work is ready for a wider audience, new friends surface and find themselves all the more brave to share their story because you shared yours first. I hope you’ll join in the community here during this series and spur one another on in preserving worthy stories.

This is Day 1. See all posts in the series here.

{How are you doing with preserving your story? In what areas do you need the most help/encouragement?}

P.S. Thanks for bearing with me as I get going on my 31 Days series. My computer went kaput on October 1 and I’m coming in a little later than I expected. :)

When I Cannot Write a Story

Four years back, this room smelled of acrylic and turpentine. Stained brushes fanned out in jars, bouquets of spotted color on horse hair. Canvas after canvas leaned against these walls…Summer Yellow Wheat, Reading Tree, Starbursts…all windows to imagination.

An artist lived here, made her mark on this space before I came along. One of her prints leans even now in my room, a framed still-life of a pouty poppy left too long in the vase.

This community knows her as an artist, and so the question always comes, “What have you been painting lately?” A painter paints. A singer sings. A writer writes. To be…you have to do. Isn’t that the way it goes? She tips her chin down and gets eye-to-eye with the baby boy who lounges in the hammock of her arm. The older brothers rush up looking for something to munch.

These days she’s putting her creative efforts into something that feeds her soul and feeds family and friends. She watches the leaven do its work, studies how the dough rises in stages, how it becomes more than it was…becomes the other thing she will be known for.

People are starting to ask about the bread, too, these rounded loaves that make you think of the old country…or the country to come. Steam rises. Crust cracks. Aroma floats through the air pulling everyone to the kitchen. She watches them enjoy her work.

She can’t paint right now, so she bakes artisan bread.

The artist’s room is mine now. In place of ready canvas and paint brush, there is blank paper and pen. The desk is lined with writing books and scribbled lists for someday.

But this fall, I am the flower dried in the vase. My writing hours have been sucked into earlier bedtimes and mismatched afternoon schedules. I put the youngest down for a reluctant afternoon nap just minutes before the oldest starts making his way home on the school bus. These are long days with short breaks. The changes stilt my words, leave me chasing after thoughts mid-sentence, make me homesick for my craft.

One evening, the kids wrestle with Daddy upstairs. There’s no time to string a line of words, but in the muted sound of their happy play, an old song comes to me, raises me from the couch and ushers me to the piano. I play the music without words this time, letting my fingers feel the pattern again, even closing my eyes.

This particular night, I may not be able to pen a story, but I can put my fingers to the keys and feel the tension leave my shoulders, let this other art knead that aching spot at the base of my ribs.

{What do you do when you’re feeling stifled in your primary area of creativity? Which secondary creative passions inspire you during dry phases?}

Finding Islands {Gift from the Sea 3: Moon Shell}

Within the first ten minutes, while the hood of the van cooled under the shade of a palm tree, she broke free from our grasp and went for the deep end. She steadied herself upright in her life jacket and churned her legs through the water like the blades of a boat motor. If she would have known the phrase, she would have said, “Told you so.” She had kicked in our arms, pushed for freedom, demanded that we let her swim with the cousins without us holding on. And she did it, swam until her tiny fingertips were “all raisins.”

At night, we  kissed her sunwarmed cheeks and watched her heavy eyes finally give in. But a few hours later, her scream tore through the sound of soothing waves and bolted us from our sleep. We cradled her, two pairs of arms and hands sweeping away bad dreams. The next day she jumped right back in the pool and buzzed around in the middle of the action.

Night two was the sleepless sequel. This time she wailed for 45 minutes straight, inconsolable. Her cry echoed out to the beach until my husband pulled the storm door on the balcony. We calmed her and put her back in bed, only to be shaken from our sleep an hour later. We talked her through, offered water, hugged her. She hyperventilated.

After a long night of short bursts of sleep, I awoke in the morning with puffy crescents under my eyes, like the moon hanging over too long into morning. We needed an intervention. I packed two lunches, strapped Farah into the car and waved to the boys as they walked off to another day in the sun with the family. We headed toward the bridge.

When my husband’s grandparents first brought their young family to vacation here in 1957, they had to wait in line at the old swing bridge to get to Fort Myers Beach. And to get from here to Sanibel, you had to take a ferry. “How wonderful are islands!” Anne Morrow Lindbergh wrote from Captiva, “Islands in space, like this one I have come to, ringed about by miles of water, linked by no bridges, no cables, no telephones.”

At a stoplight, I fiddled with the map on my phone and studied the pulsating blue dot that told me exactly where in the world we were at that moment. Our islands are so connected now. We are never out of reach. And how can we expect to live “like a child or a saint in the immediacy of here and now” when we are busy thinking of how we will document the moment and share it with a few hundred friends on social media?

I turned off the radio, listened to the sound of rubber tires flapping over road seams. Farah asked where we were going. I glanced down again at the interactive map. We were headed deep into Sanibel, off the main stretch to a place of calm. Even as we approached, there was a sense that we could be wasting the day, one of our mere seven days at the beach.

But before we know “the quality to fullness that the Psalmist expressed: ‘My cup runneth over,’” we have to start toward the beginning of Psalm 23: “He makes me lie down.” First there is this giving up of overactivity, a giving in to stillness. We must lie down and rest and admit that the world will go on without our scurrying about.

Farah needed to rest today, to find another rhythm. And I learned from this, too. For weeks, I had spent my creativity on ideas for our road trip. And these couple of days at the beach, I had been worrying myself with a whole new set of challenges. After all, our vacations have changed since we welcomed our little ones to the family starting almost five years ago. There is more to fuss about now. Gone are the days of taking a novel and a towel out to the sand. Now we load our arms with life jackets and cans of sunscreen to keep the kids safe, and we turn this way and that to make sure we don’t lose anyone.

We pulled into the parking lot of the shell museum and toted our lunch to the garden area. A bench waited for us among glossy leaves and delicate flowers. We listened to the sound of trickling water. I felt it in the quiet: “He restores my soul.” Inside, we sauntered slow, touching everything, taking it in. We marveled at a clam shell bigger than Farah. We traced the growth of a mollusk from baby to adult. We matched lettered olives and conches and channeled whelks with their friends.

This felt like the purposeful giving that Anne Morrow Lindbergh noted. As I walked with Farah in this quiet space, and even as I was not fully alone, I experienced the benefits of solitude. This “belongs to the natural order of giving that seems to renew itself even in the act of depletion. The more one gives, the more one has to give–like milk in the breast.” The author wrote more, “Even purposeful giving must have some source that refills it. The milk in the breast must be replenished by food taken into the body. If it is woman’s function to give, she must be replenished too.”

Why does this sound so audacious that we should carve out some time away to be refilled? After all, “Every paid worker, no matter where in the economic scale, expects a day off a week and a vacation a year. By and large, mothers and housewives are the only workers who do not have regular time off.” And doesn’t this time off makes us better fit for work and relationship when we return? Whether it be a run in the morning or reading time at a cafe in the evening or a personal retreat sometime during the year, we serve ourselves and our families well when we set an appointment for time alone.

In order to find fulfillment in whatever our calling may be, we must carve out an island of time for contemplation and creativity. And in order to be truly away, it may not be a bad idea to turn off our devices, those bridges that keep us over-connected. Anne Morrow Lindbergh said that we should “…consciously encourage those pursuits which oppose the centrifugal forces of today. Quiet time alone, contemplation, prayer, music, a centering line of thought or reading, or study or work. It can be physical or intellectual or artistic, any creative life proceeding from oneself. It need not be an enormous project or a great work, but it should be something of one’s own. Arranging a bowl of flowers in the morning can give a sense of quiet in a crowded day….” We women come back from solitude with souvenirs of a clear mind and renewed spirit…and maybe even a piece of art.

When we arrived at the pool, Farah ran to the family to show off her shell bracelet. It was her little memento from our refreshing day away. The night was my souvenir, my little girl sleeping through, every deep breath rising to the rhythm of ocean waves.

{This week’s post is based on Chapter 3, “Moon Shell” in Gift from the Sea by Anne Morrow Lindbergh. View all entries in the series here.}

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So, what’s your take? Pick one or more of the reflection questions in the comments section and enter a reply to share your thoughts. All subscribers’ comments on the weekly Gift from the Sea posts (shared on Mondays in June and July) will be entered for a drawing at the end of our Summer Book Club 2012.

Creative Christmas Gallery

Gallery

This gallery contains 7 photos.

Our homespun artwork on this year’s Christmas card was inspired by two artists: Charles Schulz and George Louis Wiley. The season just wouldn’t be the same without Schulz’s famous holiday favorite, “A Charlie Brown Christmas”. And Christmas for the Wiley … Continue reading