He’s over the horizon by the time I rub my eyes and wave back to the ocean. My husband and the guys are on a fishing boat heading out beyond sight of land, beyond reach of cell phone towers. I grab the kids’ swimsuits from the drying rack on the balcony and pack our lunch. Out over the water, a plane sputters by dragging an airborne billboard behind it, an invitation for a meal on a nearby island.
Today, I drive us across the Sanibel toll bridge in a caravan with my sisters-in-law and all of our young children, eight little cousins so far, all age 4 and under. We stop at the closest beach, a curved arm of island that rakes in shells like the disciples with their bursting nets. I give the kids their shelling bags, but soon they drop them and go for fistfuls of shells to throw them back into the waves.
I’m in the middle of reading Gift from the Sea, and as we women fly solo on this shelling adventure with the children, I can’t help but think of Anne Morrow Lindbergh who gave up flying co-pilot with her world-famous aviator husband so that she could keep her feet on the ground as a mother raising five children. She, too, had set records in the skies, becoming the first woman in the U.S. to earn a first-class glider pilot’s license. Yet, she was happy to give up the turbulent life of the aviatrix to follow her heart in the work of mothering…and the work of writing.
“I think best with a pencil in my hand,” she said. She had a lot on her mind on this personal vacation on nearby Captiva back in the early 1950s. She had come with images of other women and their “porcelain perfection” and “smiling clock faces” and thought how different motherhood might be for her if she weren’t in the public eye. She had, after all, suffered through a terrible media frenzy in the midst of grief after losing her beloved firstborn son in a traumatic kidnapping and murder in 1932.
Anne looked at other women around her and envied their “smoothly ticking days”. She thought she must be one of the few women looking for her own “contemplative corner,” but over time, she discovered women of all paths and experiences who voiced similar struggles and the desi
re for more “creative pause” in the midst of their domestic duties.
The rest of the girls put their kids in their cars to head back, but I have the inclination to try and pull off a picnic with my two little ones. I lay a blanket over the sharp shells and pull out our
sandwiches. We scarf them down, and then sink our teeth into the fruit and other incidentals. These moments are quiet with our mouths too full to talk.
But when I broach the subject of going back for nap, my toddler girl stomps toward the water and turns up her volume. I grit my teeth and catch her by the tail of her life jacket. We are in evacuation mode now. My son, in a much-appreciated moment of cooperation, flings our trash into the picnic bag. I roll the blanket up fast and grab our towels and hats and shells, then strap the burdens over my sunburned shoulders.
I trudge through sand with my flailing girl as a parcel under my arm. The struggle weighs on me. I steal a panoramic glance of the people around me and feel a bit of public glare. I have an idea why Anne Morrow Lindbergh so longed for solitude.
Yet she knew that hers was more than an individual struggle, and so she penciled down her thoughts, then held her writing to the wind and let it take wing, giving back to the people who had shared their struggles and thereby shaped her like the sea smoothes the edges of broken glass.
Back at the condo, after I’ve convinced the kids to nap, I settle in on the vinyl webbing of the balcony chair and grab my book and pencil. A breeze wafts through the screen and I sigh back.
Soon, my husband returns with news of a banquet of grouper and red snapper coming our way. And he tells me of his first catch of the day, a shark, and how he lugged it up from the water, holding firm against its thrashing. He took a good look at its thick skin and serrated teeth and its fighting spirit. After a few seconds and a mental picture, he held out the line to the fisherman’s knife. And just like that, they let it go, gave the strong creature back to open waters, where it was meant to be.
{This week’s post is based on the Introduction to Gift from the Sea featuring original words from Anne Morrow Lindbergh and a 50th anniversary reflection from the author’s daughter, Reeve Lindbergh.}
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